
Candy Corn Christmas
Author: Jonathan Fenske
Illustrator: Jonathan Fenske
Little Simon
9 September 2025
40 pages
Ryan’s Review of the Writing
Candy Corn Christmas! has a playful premise: the candy corn left behind after Halloween get tired of waiting in their pumpkin pail and wander straight into Christmas. That jump is the book’s best move. The candy corn feel like kids discovering a holiday for the first time, bouncing from tree to stockings to eggnog with total confidence and zero understanding of boundaries. That sense of mischief gives the book oomph. The pacing stays quick, almost episodic, which works well for a story built on discovery—it keeps kids moving right along with the candy corn.
The art does most of the heavy lifting, and Fenske’s illustrations are lively and fun. The spreads are busy in the best way, full of tiny jokes and expressive candy faces that kids will spot right away. When the candy corn zip across ornaments or dunk themselves in nog, the pages pop. I’ll let Edna talk far more concretely about the art, but to my eye? The whole visual world feels loose, bright, and energetic. There’s also an easy, chatty confidence to the narration that helps the candy corn feel like a little chorus of eager kids, which gives the book a friendly, accessible voice from page one.
The emotional moment arrives when a candy cane tries to shove them back to “their” holiday. It’s clear, simple conflict that sets up Santa’s entrance. Santa’s brief mix-up and quick course-correct land well, and the ending settles into a cheerful, everyone-belongs kind of holiday note without overworking the message. Kids will instantly recognize the moment when someone says, “You don’t belong here,” so the book’s turn toward welcome lands in a way little readers can feel even before the text explains it.
The book’s rhyme has enthusiasm, and Fenske hits those end rhymes with confidence. The rhythm getting there wobbles now and then, though, in a way adults will hear but still remain fun for kids. It’s charming in its own loose, bouncy way even if the scansion isn’t fully locked in.
Overall, the idea is cute, the art is genuinely fun, and kids will enjoy the candy-corn-chaos of it all. The visuals and the concept pull readers through with plenty of good-natured holiday energy.
4 out of 5 candy corns
Edna’s Review of the Illustrations
As someone who isn’t a fan of the orange, yellow, and white-striped confections, I found myself completely won over by a charming throng of candy corn creatures. These rollicking fellows with their antics and liveliness greatly enhance Jonathan Fenske’s rhyming picture book, Candy Corn Christmas. Illustrations tinged with subversive humor pulled this reader into a sharply-drawn world and storyline that kept me at the edge of my seat.
Fenske’s line art candy corns are a standout in each cleanly-rendered, digitally-painted page. The candy corns themselves are given active and expressive personalities which make them easy to follow. Candy corns all look alike, right? So, the artist did well to give these guys expressive faces and distinguishing features with different types of mouths and teeth, googly eyes with eyebrows and, in some cases, costume pieces. Look for the candy corn wearing the green elf hat and one donning a Canadian maple leaf flag.
The use of line art as a narrative device is a wise artist choice providing readers a chance to appreciate candy corns as individual characters. This is especially important given that the pace of the story moves so quickly that there’s a risk of noticing gags more than caring about the characters themselves. Line art highlights details such as candy corns feeling bored and stale around an old familiar pumpkin pail, and candy corns showing interest in the sound of singing and bells coming from another room. When the candy corns invade the Christmas confections’ space, Fenske’s use of line art successfully shows displeasure and worry emanating from the sugar plums, chocolate log, and candy cane.
**Spoiler alert in the next paragraph!**
Tensions rise when Santa shows up and he does the unthinkable, taking an actual bite (though it’s mentioned as a nibble) from a candy corn. The artist’s repetition of layout and close-up action serves to increase story tension plus provide some comic relief. There’s Santa down on the ground examining the band of candy corns right before an extreme close up of Santa bringing a candy corn to his mouth. Then there’s another page showing Santa standing next to the candy corns (in the same line up as before) with one of them saying “My baby,” followed by a page showing a smiling, carefree Santa holding a traumatized, gooey candy corn in his palm. These pages will render this book less suitable for younger kids. While the graphic details surprised and cracked me up as an adult, I welcomed the relief of knowing that the candy corn did survive.
As mentioned earlier, this book contains both funny and subversive elements fueled by illustrations that will hold reader interest up to the very end. An entertaining book filled with details and visual intrigue for the older picture book set, pre‑K, and above.
Edna Cabcabin Moran is an author/illustrator, multi-disciplined artist, and STEAM and integrative arts educator. Her latest picture book, Honu and Moa received an Aesop Accolades. Edna is currently working in picture books and comics and has a middle grade graphic novel in progress. Edna has a comic in the newly-released middle grade anthology, Let’s Go!: A Kids Comics Studio Anthology. She is also a contributing poet in the upcoming March 2026 anthology, For the Win: Poems Celebrating Phenomenal Athletes (Carolrhoda Books).
IG: @kidlitedna
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